Both of us, although David wrote most of the good stuff.

That’s David’s character, so you’d have to ask him. (In the past, when he has been asked, he’s noted that there are several ways you can read it: You can read it as a reflection of will feeling like a lower case person, or you can read it as being about will not differentiating between online communication (which is often all lowercase) and irl communication, or you can read it in other ways.

I think David agrees with me that books belong to their readers, although I don’t want to speak for him.

David and I became friends after he read Looking for Alaska several months before it was published. He wrote me an email; I responded (I was a fan of his books); it went from there.

Months later, he proposed this idea for a book about two boys with the same name. I was honored that a writer of David’s stature would think of me for a collaboration (I was still unpublished at the time) and immediately said yes.

Honestly, I would’ve said yes if he’d told me he wanted to write a collaborative book about the history of monastic cheese-making in Belgium. Fortunately, I found his idea really interesting, as I’ve always been interested in the relationship between the identities we’re given (names, religious background, ethnicity) and the identities we choose (nicknames, music tastes, fashion, and so on).

We collaborated more on those chapters, but even then, the odd chapters are mine and the even ones David’s. We talked a lot about the actual mechanics of those chapters, and where characters needed to be when and that kind of thing.

But it was a lot of fun to write David’s will, and a lot of fun to see him write mine.

It is.

It is in fact around the corner from where my office was in Chicago when David and I started working on the book.

No, we didn’t agree to it beforehand or even discuss it. We didn’t discuss anything except for names, dates, and a location for them to meet.

But we only wrote one chapter each before meeting to read those chapters aloud to each other, so I knew after I’d written one chapter who David’s will grayson was. (And he knew who Tiny Cooper was, and so on.) We read each chapter out loud to each other as we went, but never exchanged the actual text until after we’d finished a draft of the entire story.

We both surprised each other pretty regularly, I think, but never unpleasantly so. I’m a very process-oriented writer, and I’m used to deleting like 75-90 percent of my first drafts, so writing Will Grayson was obviously very different, because I couldn’t change things without affecting things in David’s half of the story.

So the revision process was very different, because we had to go through chapter by chapter and talk about how the use of language or plot events or whatever did or did not further our ideas and the reading experience, etc., but it was a really interesting and fun way of revising.

I didn’t think much about it, to be honest.

No, we didn’t plan out much in advance. When we decided to try this story with two-guys-with-the-same-name, we picked a name (David picked Will, I picked Grayson), David picked a time of year (late February, early March), and I picked a location where the two guys would meet (Frenchy’s). Other than that, nothing was planned. We did, however, spend more than a year revising the book.

I wouldn’t say we ever argued, but we definitely discussed lots of different possibilities. David has collaborated with lots of other authors, and he’s been an editor for decades, so he knows how to deal with writers, and he did a very good job dealing with me. Mostly, though, we agreed about the overall shape of the novel. His chapters are very much his, and my chapters are very much mine, but we worked really closely together for many years to make the novel work as a thematically unified thing, instead of just being two interconnected stories.

It was great. One of the things I find difficult about writing is that it can be extremely isolating: Ultimately, it’s just you in your head trying to make a story for people who will not see that story (even in the best case scenario) for years, and who may very well never see the story. Collaboration in writing is fun for me because I know that someone will see what I’m working on with each chapter that I finish, and there’s also something very invigorating about working with a writer you admire, and I admire David very much.

That is correct. We like to say that I birthed Tiny Cooper, but he was raised by two dads.

I wrote the odd-numbered chapters and David wrote the even-numbered chapters.